Relationships - Andrea's Maus Project
At its most fundamental level, MAUS is Vladek's reflections on his life during the He was explaining to Art why he threw out Anja's notebooks and the letters written by I need to learn to love and trust people, and to not be afraid that everyone I care This marriage only took place after Vladek convinced Anja he was not. MAUS study guide contains a biography of Art Spiegelman, literature essays, quiz In many ways, the relationship between Vladek and his son is the central . Though Haskel eventually does help Vladek and Anja escape. Vladek has some very complex and sometimes very bad relationships with the other Although Vladek and Anja didn't name Artie after Richieu, Artie did feel as.
Vladek gratefully accepts, and the next evening, Mrs.
Motonowa and her son escort Vladek and Anja from the barn on Mrs. When they begin trying to re-establish a life for themselves in Sosnowiec, Vladek and Anja enter a period of enormous instability. Their hiding places are all temporary and dependent on others, which means they never have the chance to rest without worrying about what to do next, and even the act of going out to buy food has the potential to be a deadly errand. Motonowa opens her home to them, she offers a chance for greater stability— a safe, long-term hiding place where they can have some relief from the pressure and stress of their current lives.
Motonowa is a good woman, though she is exacting when it comes to her payments — Vladek pays her both for sheltering them and for bringing them food from her black market business. Her little boy loves Anja, who plays games with him and tutors him in German. Things in the house are relatively peaceful until one morning, when the Gestapo the Nazi police search Mrs.
Motonowa and confiscate her goods while she is selling black market food in Dekerta Street. She runs home and tells the Spiegelmans they have to leave immediately, in case the Gestapo come to search her house. Though living with Mrs. Motonowa seemed like a way for the Spiegelmans to escape the stress and danger of moving constantly from place to place, this moment of upheaval makes it clear that stability is realistically impossible in their world.
There will always be some new danger to threaten them. Active Themes Cast out with nowhere to go, knowing it is dangerous for them to be on the streets after dark, Vladek and Anja spend the night hiding in a construction site.
In the morning, they return to Mrs. Kawka, who has always been severe in her attitude toward the couple, softens when she sees Anja shivering and exhausted.
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She invites Anja to warm up in her house, and brings Vladek food. Kawka he would do anything to get out of Poland.
Kawka tells him about two people she knows who have been working as smugglers, taking people to Hungary — they took two of her previous Jewish borders, she says, with good results.
Vladek knows there is nothing left for him and Anja in Poland. As long as Germany occupies the country, there will be no chance for them to live without fear. Kawka seems to be at the center of the smuggling operation she mentions — she offers her barn to hiding Jews, then connects them with the smugglers, whom she also seems to know personally.
Though she talks about the smuggling operation like she has no personal investment in it — she raises the subject casually, and avoids using active language to describe her role —she is clearly involved. For a long time, Vladek says, Hungary was safer. Near the end of the war, the situation would become truly horrible for Hungarian Jews — Vladek remembers hundreds of thousands of them coming into Auschwitz while he was there — but he had now way of knowing that when he decided to try escaping to Hungary.
Vladek looks deeply sad as he talks about this, then quickly resumes his story. Once again, Artie and Vladek confront the narrative problem of knowledge and hindsight. Vladek did not have the information to make the kinds of decisions that Artie, years later, assumes a wise person would have made.
Active Themes Just a day or two after Mrs. She greets him warmly, apologizing for the panicked state in which she sent them away. The Gestapo never came to her house after all, she tells him, and he and Anja would be welcome to move in with her again. The couple return to Szopienice that same night.
Motonowa hides the Spiegelmans in her cellar for the ten days her husband is home, knowing he would throw her out of the house if he discovered she was harboring Jews.
Motonowa benefits from hiding the Spiegelmans, foras Vladek already mentioned, he paid well for her help. Still, when she reveals that helping the Spiegelmans forces her to rebel against her husband, assuming all the risks that go with doing so, it becomes clear that Mrs.
Anja is afraid of rats, though she is supposedly a mouse herself.
Motonowa allows them back into the house after her husband returns to Germany, but Vladek has begun to feel that they are not safe with her. He wants to get to Hungary. Motonowa leaves, he goes back to Mrs. There, he encounters three other people hoping to escape to Hungary: Mandelbaum, an old acquaintance of the Spiegelmans who once owned a sweets shop in Sosnowiec; his wife; and his nephew, Abraham.
Vladek is not sure whether the men can be trusted.
Abraham volunteers to go with the smugglers first, then write to his uncle if everything is safe. I find it very difficult to write this book. My feelings are so deep, that I wonder if there are words; words that can tell of the sorrow, hate, and horror of that time. I can only hope that a good contract writer can take all of those emotions and turn them into a book.
A book that will leave a legacy for my children, and help me to understand myself. I am not sure who I am, or why I feel so empty, or why it so difficult for me to relate to anyone, or why I am such a stranger to myself. I need to learn to love and trust people, and to not be afraid that everyone I care for will leave me, or that the emptiness within me will become so overwhelming, that it causes me to return to my closet, next time, never to come back.
Griffin Ingrid's difficulty relating to people echoes Vladek's own problems with his wife, his neighbors, and his son. Art complains often that he cannot stand to be with his father for any length of time. In fact, he and Francoise needed time to recover after their extended visit with Vladek in Florida.
Up until her departure, Mala wonders how long she can take living with him. She shouted her frustration at Art when they were searching through Vladek's junk, "He's more attached to things than to people! This may be a quality inherent in his personality or it may be a result of the Holocaust see Holocaust reflected Ingrid also talks about her fixation with the cost of things.
I am always waiting to see what the price tag is, and I have a difficult time appreciating nice things anyone does for me. I find it hard to say thank-you.
It means to me, that I am alive, and that I need more than just the little existence I gave myself. I do not know how to feel toward the human race.
Griffin Vladek's treatment of Mala reflects this sentiment. She cooks and cares for him, and he thanks her with constant criticism. In the first few frames of Art's visit home after an absence of two years, Spiegelman shows Vladek reprimanding Mala for hanging Art's coat with a wire hanger.
As for Mala, I don't think this is an unusual circumstance either.
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Braham does say that many survivors rushed into marriages to rebuild their broken families. They are always constantly bickering about something, or questioning how they even live with one another.
This is most definitely a result of their experiences in the Holocaust; I do not believe they would have ever gotten married if it wasn't for the fact that they wanted to start a new life after the war.
Vladek only truly married Mala because he didn't want to be alone after Anja died, and he wanted to have someone around who could relate to his experiences. Given other circumstances, I couldn't see Vladek getting married after the loss of Anja.
Vladek and Anja had such a strong, loving relationship. There is no way that bond could have been replicated again, and I think Vladek knew that. Although I don't believe the novels ever said much about Mala's previous life, even without having gone through the loss of a spouse, maybe Mala endured more of an extreme trauma as suggested by the second scholarly text.
This would result in their lack of understanding one another, and clearly they did not. They were constantly fighting, complaining about one another, and questioning why they even got married. Perhaps their relationship gap and lack of understanding one another was due to the different traumas they endured during the war.
Mala comments how nobody is like Vladek, but maybe what he went through was just so much different than what their friends experienced; he couldn't possibly act the same as them. While they may each have an understanding of what it was like to go through the camps, every camp was different and every person had different experiences. It's really hard to say that nobody is like Vladek when Mala is only comparing him to a small group of people that live near them.
Finally, during the novel Vladek always wants Artie to come over or to stay longer. This is more profound because survivors of the Holocaust had a tendency to cling to their remaining family members.
The idea of this is completely understandable.