Relationship between greek and roman art

Comparing Greek and Roman Art by morgana zayas on Prezi

relationship between greek and roman art

Classical art and architecture encompasses the cultures of Greece and Rome and of space and their relationship with the gods were central to Classical Art. based his theories of the progression of art on the development of Greek art. Comparing Roman & Etruscan Sarcophagi . Yes, Roman art was influenced by both Greek and Etruscan traditions, but there's a fine line. The art and architecture of ancient Greece and Rome played a foundational role of the history of Western art, establishing numerous key concepts, techniques.

They sought to encapsulate the perfect physical form of their objects in artwork. The Greeks often represented the gods in their art, in an effort to express the ideal form of beauty, physical strength and power. For the Romans, however, art had a more practical function. Artwork was primarily used for ornamentation and decoration. As noted at the History for Kids website, the Greeks were interested in ideals while the Romans were interested in reality.

These fundamental idealistic differences are visible in their artwork. Sculpture Greek sculpture tended to focus on athleticism and mythology.

relationship between greek and roman art

Their statues represent their objects in an idealized fashion, making them quite unrealistic though beautiful. The Romans preferred to sculpt historical events and real people and are famous for their detailed busts. If a Roman statue is idealized, it is probably a statue of one of the many Roman emperors, who were considered to be divinities.

relationship between greek and roman art

Architecture The most obvious difference between Greek and Roman architecture is the material used. This name is used also to describe later periods in which artists looked for their inspiration to this ancient style.

relationship between greek and roman art

The Romans learned sculpture and painting largely from the Greeks and helped to transmit Greek art to later ages. Classical art owes its lasting influence to its simplicity and reasonableness, its humanity, and its sheer beauty. The first and greatest period of classical art began in Greece about the middle of the 5th century BC.

What Are the Differences Between Greek Art & Roman Art?

By that time Greek sculptors had solved many of the problems that faced artists in the early archaic period. They had learned to represent the human form naturally and easily, in action or at rest. They were interested chiefly in portraying gods, however. They thought of their gods as people, but grander and more beautiful than any human being. They tried, therefore, to portray ideal beauty rather than any particular person.

Their best sculptures achieved almost godlike perfection in their calm, ordered beauty. The Greeks had plenty of beautiful marble and used it freely for temples as well as for their sculpture see Marble. They were not satisfied with its cold whiteness, however, and painted both their statues and their buildings.

Some statues have been found with their bright colors still preserved, but most of them lost their paint through weathering. The works of the great Greek painters have disappeared completely, and we know only what ancient writers tell us about them.

Greek and Roman Art and Architecture

Parrhasius, Zeuxis, and Apelles, the great painters of the 4th century BC, were famous as colorists. Polygnotus, in the 5th century, was renowned as a draftsman.

relationship between greek and roman art

Fortunately we have many examples of Greek vases. Some were preserved in tombs; others were uncovered by archaeologists in other sites. The beautiful decorations on these vases give us some idea of Greek painting.

They are examples of the wonderful feeling for form and line that made the Greeks supreme in the field of sculpture. The earliest vases--produced from about the 12th century to the 8th century BC--were decorated with brown paint in the so-called geometric style.

Sticklike figures of men and animals were fitted into the over-all pattern. In the next period the figures of men and gods began to be more realistic and were painted in black on the red clay.

In the 6th century BC the figures were left in red and a black background was painted in. By the 8th century BC the Greeks had become a seafaring people and began to visit other lands.

In Egypt they saw many beautiful examples of both painting and sculpture. In Asia Minor they were impressed by the enormous Babylonian and Assyrian sculptures that showed narrative scenes. The early Greek statues were stiff and flat, but in about the 6th century BC the sculptors began to study the human body and work out its proportions. For models they had the finest of young athletes.

Greek and Roman Art and Architecture | Artsy

The Greeks wore no clothing when they practiced sports, and the sculptor could observe their beautiful, strong bodies in every pose. Greek religion, Greek love of beauty, and a growing spirit of nationalism found fuller and fuller expression.

TICE ART 1010 Greek and Roman Art

But it took the crisis of the Persian invasion BC to arouse the young, virile race to great achievements. After driving out the invaders, the Greeks suddenly, in the 5th century, reached their full stature. What the Persians had destroyed, the Greeks set to work to rebuild. Their poets sang the glories of the new epoch, and Greek genius, as shown in the great creations at Athens, came to full strength and beauty. It was then, under Pericles, that the Athenian Acropolis was restored and adorned with the matchless Parthenon, the Erechtheum, and other beautiful buildings.

There were beautiful temples in other cities of Greece too, notably that of Zeus at Olympia, which are known from descriptions by the ancient writers and from a few fragments that have been discovered in recent times. For Greek architecture see Architecture. The 5th century BC was made illustrious in sculpture also by the work of three great masters, all known today in some degree by surviving works. Myron is famous for the boldness with which he fixed moments of violent action in bronze, as in his famous 'Discobolus', or Discus Thrower.

There are fine copies now in Munich and in the Vatican, in Rome. The 'Doryphorus', or Spear Bearer, of Polyclitus was called by the ancients the Rule, or guide in composition. The Spear Bearer was believed to follow the true proportions of the human body perfectly.


Under his direction the sculptures decorating the Parthenon were planned and executed. Some of them may have been the work of his own hand. His great masterpieces were the huge gold and ivory statue of Athena which stood within this temple and the similar one of Zeus in the temple at Olympia.

Some of his great genius can be seen in the remains of the sculptures of the pediments and frieze of the Parthenon. Many of them are preserved in the British Museum. They are known as the Elgin Marbles. Lord Elgin brought them from Athens in The Parthenon Sculptures These sculptures are the greatest works of Greek art that have come down to modern times.

The frieze ran like a decorative band around the top of the outer walls of the temple. The subject is the ceremonial procession of the Panathenaic Festival. The figures represent gods, priests, and elders; sacrifice bearers and sacrificial cattle; soldiers, nobles, and maidens.

They stand out in low relief from an un-detailed background. All are vividly alive and beautifully composed within the narrow band.