Nature in Frankenstein by Sarah Young on Prezi
Free Essay: Frankenstein Vs. God In the Bible, the book of Genesis states that. Nurture in Frankenstein In the novel "Frankenstein" by Mary Shelley, the relationship of external Human nature is to judge by external appearance. The introduction of an association of nature and human feeling, even in this early chapter, shows how Shelley prefers to use metaphor of a natural setting rather. For Frankenstein his regret and depression pushes him away from the people he loves and makes him more of a man of solitude and.
On Nature in Frankenstein
However in line 16, the Monster says that he instinctively felt desolation as well, before he ever knew there was anybody else like him. I think here, Shelley may be suggesting that if man was ever so lonely, he would feel this way too.
The need for a companion is also innate and maybe the beginnings of the society lied in this fact, along with the need for assistance to overcome difficulities one encounters. Rousseau thought it was not good intentions, but the use of men to each other, that has started dealings between people.
I think Shelley also suggests that since love comes along with companionship, it is also innate. We know that even before the Monster had any notion of beauty and merit, he felt a kind of love toward De Laceys. He was interested in their world, and wanted to be a part of it. At first he had no way to compare the De Laceys to anyone he had not even seen himselftherefore, according to Rousseau, he could not have known what beauty was.
Yet he still cared for the cottagers p. I think we can safely assume that Shelley thinks love does not have to come with beauty or merit, at least not when one does not have many people among which he can make a choice. Obviously he was not as big as the Monster but he was stronger and more agile than the civilized man: In a world full of monsters, the regular people would be the weak ones.
However in this world, alone and different, his physical power is not enough. People have grown prejudiced against the different, which is, according to Rousseau, a vice of the civilization.
They exclude the Monster, because he does not fit their conventional ideas of physical appearance, and attack him p.
He meets the civilized world in this manner. He flees as savage man would in such a circumstance: What if a dispute sometimes arises over his meal? He has no knowledge of cunning and mischief at this point, but as he watches his cottagers, and learns the ways of the civilized world, he gets affected by its forces.
He is affected yet he is not a part of it.
He learns both of its vices and virtues but does not benefit any from virtues as he only comes across vices. The Monster starts to learn about the world with the help of his cottagers. His want of a companion makes him feel the need of family love.
He wants to be a part of their family. At first he is just trying to preserve himself, he is neither good nor evil. When he developes moral ideas, and stops doing it, he becomes good, and later on, when he gets inflicted by much pain, he will turn evil. On the other side of the coin of lovewe might wonder why he does not feel any sexual love, since Rousseau suggests that sexual desire is an instict. These are designed to look as if he only needs someone, so he will not be alone anymore.
Then we can ask ourselves, why does he specifically want a female, and not a friend like Henry Clerval?Frankenstein-Nature and Natural
I think it is so easy to see the reason that it is almost explicit. His sexual desire is instinctively working, therefore his wording reflects what he feels consciously. His need of belonging combines with his ability to compare, and leads to disastrous consequences for him and Frankenstein, with whom he was supposed to belong in the first place. He starts to feel another vice of civilization, envy. The mild exhortations of the old man, and the lively conversation of the loved Felix, were not for me.
However in the end, his fears are realized when the rest of the family, who can actually see him, chase him away in horror and contempt the other side of shame and envy.
According to Rousseau, society creates these prejudices, and hurt the very things that it is supposed to protect. Since he does not yet feel completely hopeless, even after he learns about them, he still cannot comprehend why anyone would commit murder and other crimes.
This leads us to think that unlike what Hobbes suggests, violence is not a part of human nature.
Yet the Monster continues to feel excluded, and with the knowledge he gained upto this point, he questions his existence and what he is. Whence did I come? Then you MUST buy this edition and read it. It's far more passionate and scary than you ever thought. The Norton Edition is extremely accurate and contains essays, critiques and helpful notes. Shelley uses nature as a restorative agent for Victor Frankenstein. While he seems to be overcome with grief by the murders of his friends and family, he repeatedly shuns humanity and seeks nature for health, relaxation and to strengthen his spirits.
I feel pleasure in dwelling on the recollections of childhood, before misfortune had tainted my mind, and changed its bright visions of extensive usefulness into gloomy and narrow reflections upon self.
I find it arise, like a mountain river, from ignoble and almost forgotten sources; but swelling as it proceeded, it became the torrent which, in its course, has swept away all my hopes and joys. The introduction of an association of nature and human feeling, even in this early chapter, shows how Shelley prefers to use metaphor of a natural setting rather than other descriptions.
As Frankenstein progresses, Victor takes sustenance from nature, and it becomes his personal therapy when he undergoes torment or stress. By chapter five of the first volume, Shelley creates a connection between Victor and nature. Instead of describing his moods with metaphor, as in earlier images, she describes his recovery from grave illness through his affinity with nature.
Although nursed by his closest friends, it is the breathing of the air that finally gives him strength: We passed a fortnight in these perambulations: Shelley, 43 The air is not simply necessary for life; Victor is so taken with it that he actually gains strength from it that he had not had before.
The use of the word salubrious, meaning "to bring health," reinforces an intention to promote air, and through corollary, nature, as a restorative agent. Throughout Frankenstein, it is nature, not other people which keep Victor healthy enough to continue living a relatively sane life. The concept of nature as therapy was most likely not new to Shelley, having probably read the writings of Coleridge, Wordsworth, and of course, her husband, Percy.
Frankenstein and Nature of Man - words | Study Guides and Book Summaries
In Tintern Abbey, nature is also used as a restorative agent for the speaker of the poem: She may have been influenced by the theme in Tintern Abbey of nature as a restorative, or she may have been influenced by other romantic poetry that she had read, since nature itself was a major theme of the romantic period. It may also be a simple parallel feeling that she discovered for herself, but it is likely that she has some outside influence.
His condition is so terrible that he cannot find solace in his friend Henry, and while he hurries off to his family in Geneva, it is nature which heals him and allows him to maintain his sanity: I remained two days at Lausanne, in this painful state of mind. I contemplated the lake: By degrees the calm and heavenly scene restored me, and I continued my journey towards Geneva.
The road ran by the side of the lake, which became narrower as I approached my native town. I discovered more distinctly the black sides of Jura, and the bright summit of Mont Blanc.
I wept like a child: My own beautiful lake! How do you welcome your wanderer? Your summits are clear; the sky and lake are blue and placid. Is this to prognosticate peace or to mock at my unhappiness? His exclamations to the mountain are more passionate than nearly any other in the story, and so it seems that his relationship with nature goes beyond what he can have with his family or any human.
Victor even rejects the notion without reservation that family can help. He asserts his hopelessness as his father bids him to hide his grief for the sake of the others: