The last samurai relationship to history channel

The Real Story of The Last Samurai - IGN

the last samurai relationship to history channel

The samurai, members of a powerful military caste in feudal Japan, began as to get Japan to open its doors to international trade–proved to be the final straw. History vs. Hollywood (–). / Rate This All Episodes (26) · Next · The Last Samurai Poster User Lists. Related lists from IMDb users. list image. The Last Samurai is a pretty solid, although underrated film. No Hollywood historical epic is accurate, although almost all are based on a until the last battle of the film, which is a direct correlation to the final battle of the.

Cameras, electricity, and countless other inventions had permeated the rest of the world, while Japan was still in a feudal system.

Unsurprisingly, common sense prevailed when the Japanese saw the massive warships in their bays. They opened up trade, encouraging foreign nations to bring them into the modern era. In The Last Samurai, this is presented as a thoroughly mixed idea. Men previously regarded as a too-low class to serve are prepared to fight against rebellious samurai. These samurai are condemned as belligerent rebels until Captain Algren is captured and taken to an inescapable land of the samurai.

There he learns of their peaceful and simple way of life. Algren discovers how the Japanese Emperor is being manipulated and the samurai are being oppressed to the point of being eliminated entirely. Modernized Imperial troops preparing to go on a campaign against the Satsuma rebellion. When Algren returns to Tokyo, he finds the Japanese modernization has rapidly moved forward.

the last samurai relationship to history channel

Diplomats are making sales pitches for their weapons. Samurai leader Katsumoto is extremely depressed to learn his Emperor is merely a puppet of Japanese businessmen reaping the rewards of European business and war.

the last samurai relationship to history channel

The individual men of the new Imperial Army were not demonized, but their higher command and nearly every aspect of the government and foreign influences were vilified.

Hollywood simplifies the scenario to show the samurai as simplistic, good, and pure, and the modernization as quite evil and oppressive. In reality, the Meiji Restoration by breaking down social classes was the opposite.

The new government went to work abolishing the samurai class. Samurai were supported mainly by peasants and were often cruel and tyrannical throughout Japanese history. In giving commoners the right to join the army, the government was widening the traditional role of the samurai to every man.

They also brought in mandatory conscription. All Samurai were not against this. As samurai were a part of the upper classes, many of them found roles in the new regime. Samurai formed the veteran officer core of the new army, and many became successful businessmen.

The Last Samurai

Samurai could and did thrive under the Meiji rule, but some still fought to retain traditional roles and values. Some samurai, however, were not thrilled by all the changes. The Imperial captain, previously trained by Algren and horrified by the sight of the dying Samurai, orders all of the guns to cease fire, disregarding Omura's orders.

"History Buffs" The Last Samurai (TV Episode ) - IMDb

A mortally wounded Katsumoto commits Seppuku with Algren's help as the soldiers at the scene kneel in respect. Days later, as trade negotiations conclude, Algren, though injured, arrives and interrupts the proceedings.

He presents the Emperor with Katsumoto's sword and asks him to remember the traditions for which Katsumoto and his fellow Samurai died. The Emperor realizes that while Japan should modernize, it cannot forget its own culture and history; he rejects the trade offer and chooses to seize the Omura family assets for the benefit of his subjects.

How True to History is Tom Cruise's "The Last Samurai"?

While various rumours regarding Algren's fate circulate, Graham concludes that Algren had returned to the village to reunite with Taka. Algren was born in the United Kingdom but is a naturalized American. Following a dismissal from his job, he agrees to help the new Meiji Restoration government train its first Western -style conscript army for a hefty sum. During the army's first battle he is captured by the samurai Katsumoto and taken to the village of Katsumoto's son, where he soon becomes intrigued with the way of the samurai and decides to join them in their cause.

His journal entries reveal his impressions about traditional Japanese culturewhich almost immediately evolves to admiration. He is displeased with Mr. Omura's bureaucratic reform policies which leads him into organizing a revolt against the Imperial Army. Shin Koyamada as Nobutada, Katsumoto's son who is lord of the village that the Samurai are encamped in and befriends Algren. Katsumoto, the leader samurai, advises Nobutada to teach Algren in the Japanese way — Japanese culture and Japanese language.

How True to History is Tom Cruise's "The Last Samurai"? | History News Network

Algren dislikes Bagley for his role in the Washita River massacre of the Native Americans that Algren cannot get over. His facial hair is very similar to the way Custer wore his and is intended to evoke that image.

  • The Last Samurai
  • The Real Story of The Last Samurai
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Bagley is killed by Algren in the climactic battle When Algren throws his sword into his chest. Masato Harada as Mr. Omura, an industrialist and pro-reform politician who dislikes the old samurai and shogun related lifestyle. He quickly imports westernization and modernization while making money for himself through his railroads.

Coming from a merchant family that was like many repressed during the days of Samurai rule and cause for his extreme dislike for their nobility, he assumes a great deal of power during the Meiji Restoration and takes advantages of Meiji's youth to become his chief advisor wielding power similar to those of the Shoguns.

the last samurai relationship to history channel

His image is designed to evoke the image of Okubo Toshimichia leading reformer during the Meiji Restoration. Masato Harada noted that he was deeply interested in joining the film after witnessing the construction of Emperor Meiji's conference room on sound stage 19 where Humphrey Bogart had once acted at Warner Brothers studios. Credited with the implementation of the Meiji Restoration, the Emperor is eager to import Western ideas and practices to modernize and empower Japan to become a strong nation.

His appearance bears a strong resemblance to Emperor Meiji during that 's rather than during the s, when The Last Samurai takes place.

After the particularly divisive Onin War ofthe Ashikaga shoguns ceased to be effective, and feudal Japan lacked a strong central authority; local lords and their samurai stepped in to a greater extent to maintain law and order. Despite the political unrest, this period—known as the Muromachi after the district of that name in Kyoto—saw considerable economic expansion in Japan.

It was also a golden age for Japanese art, as the samurai culture came under the growing influence of Zen Buddhism. In addition to such now-famous Japanese art forms as the tea ceremony, rock gardens and flower arranging, theater and painting also flourished during the Muromachi period.

This period ushered in a year-long stretch of peace and prosperity in Japan, and for the first time the samurai took on the responsibility of governing through civil means rather than through military force.

This relatively conservative faith, with its emphasis on loyalty and duty, eclipsed Buddhism during the Tokugawa period as the dominant religion of the samurai. It was during this period that the principles of bushido emerged as a general code of conduct for Japanese people in general.

Though bushido varied under the influences of Buddhist and Confucian thought, its warrior spirit remained constant, including an emphasis on military skills and fearlessness in the face of an enemy. In a peaceful Japan, many samurai were forced to become bureaucrats or take up some type of trade, even as they preserved their conception of themselves as fighting men.

Inthe right to carry swords was restricted only to samurai, which created an even greater separation between them and the farmer-peasant class.

The material well-being of many samurai actually declined during the Tokugawa Shogunate, however.